Saturday the 5th of February it was time once again for the annual Annie Awards, presented by the International Animated Film Society (ASIFA) for the best in animation. This year, of course, was the year of controversy for the Annies, now that Disney/Pixar have pulled their sponsorship and official participation in the awards due to what they feel are flawed and lop-sided voting practices. Specifically, they’ve accused the Annies of being overly weighted toward Dreamworks Animation productions. Probably because there is a very large percentage of ASIFA that includes Dreamworks employees as members. Probably because at one point Dreamworks was offering to subsidize its employees’ membership in ASIFA, while Disney and Pixar were not. So, it probably didn’t sit well at all with Disney and Pixar that Dreamworks’ How to Train Your Dragon swept the Annie Awards this year, much like Kung Fu Panda did a couple of years ago. In fact, this year, the Kung Fu Panda Holiday TV special also swept the Annie Awards in the television categories. Here’s a recap from Variety: “DreamWorks Animation ended up with 15 Annie Awards, 10 for How to Train Your Dragon and five for its television production Kung Fu Panda Holiday. In addition to best picture, Dragon picked up nods for helmers Chris Sanders and Dean DeBlois, animated effects, character animation, character design, music, production design, storyboarding, voice acting for Jay Baruchel [Hiccup], and writing. Kung Fu Panda Holiday was named the top TV production and racked up trophies for character animation, direction, production design, and voice acting for James Hong [Mr. Ping].” Other awards from the evening (ones that Furry Fans might notice) included T.U.F.F. Puppy winning two awards for storyboards and character design (in a TV production). Ryan Page won the first ever Annie Award for “Character Animation in a Live Action Production” for his work on Tim Burton’s Alice in Wonderland. The evening also featured lifetime achievement awards (the Windsor McCay Award) for director Brad Bird (who joked in a video clip about his move from directing animation to live action), veteran animator Eric Goldberg, and creator Matt Groening (who joked live about the fact he’s spent 23 years in animation and only done two things: The Simpsons and Futurama). You can read more about the Annie Awards — and soon, see pictures from the show — on their web site.
Disney
Not the Oscar Surprises We Expected…
This morning the Academy of Motion Picture Arts & Sciences announced the nominees for the 83rd annual Academy Awards (the “Oscars”), to be presented on Sunday, February 27th. As everyone expected, Disney Pixar’s Golden Globe-winning Toy Story 3 (the biggest world-wide money maker released in 2010) was nominated for Best Picture of the Year (which a lot of people are saying it will not win) and Best Animated Feature (which a lot of people are saying it will win). TS3 was also nominated for awards in the categories of Best Song (by Randy Newman, of course), Best Sound Editing, and… Best Adapted Screenplay?? It seems that the Academy considers a sequel film to be “adapted from a previous existing medium” because it uses previously created characters and settings. Or so we’ve been told. Fine. Dreamworks’ How to Train Your Dragon was also nominated for Best Animated Feature, as well as Best Original Score (by John Powell). Interestingly, the third slot for Best Animated Feature went to The Illusionist from France, whereas the Golden Globe Awards had chosen Sony’s Despicable Me. Other furry-themed pictures to watch include Tim Burton’s Alice in Wonderland from Disney, which was nominated in the categories of Best Makeup, Best Costume Design, Best Art Direction, and Best Visual Effects. Check out CinemaBlend.com for a complete listing of nominees. Of course, before the Oscars come the Annie Awards for animation on February 5th. It’s always interesting to see how the two groups of awards compare.
Return of the Rescue Rangers
Once again BOOM! Studios have stepped up to the task of bringing the Disney Afternoon back to life. Following on the webbed heels of their successful Darkwing Duck comic book series, now comes the full-color return of Chip ‘n’ Dale’s Rescue Rangers, written by Ian Brill and illustrated by Leonel Castellani. You can see a preview of this new series, as well as the various alternate covers for the first issue, at BOOM! Studio’s web site.
BOOM Go the Ducks
Boom! Studios have two new Disney-Duck-related items on the shelves at your local comic book store right now. Darkwing Duck Volume 1: The Duck Knight Returns brings together the first Darkwing Duck story arc in a single full-color trade paperback, written by Ian Brill and illustrated by James Silvani. The people of St. Canard have grown worried when their loyal protector, “the terror that flaps in the night”, hasn’t been seen in more than a year… and evil is on the rise again. Is it time for the Duck Knight to rise again too? Meanwhile, readers looking for more of Don Rosa’s The Life and Times of Scrooge McDuck should look for the new hardcover, The Life and Times of Scrooge McDuck Companion. It features “the pre-chapters, the post-chapters, and the in-between chapters” of Don Rosa’s sought-after work. You can find out more about both of these at Boom! Studio’s web site.
Gummi Bear Reunion — On Line!
Short notice but: Animation writer, producer, and show-creator Jymn Magon is hosting another “webinar” this Saturday, December 11th, at 5:00 pm (Pacific Standard Time). This time he’s presenting a special 25th anniversary show for Disney’s The Gummi Bears — still a popular favorite animated TV series, to say the least. The two-hour “webinar” will include live interviews with June Foray (the voice of Grammi Gummi), Katie Leigh (the voice of Sunni Gummi), Art Vitello (director), Ed Wexler (layout), Gary Eggleston (backgrounds), Michael and Patty Silversher (theme song composers), Mark Zaslove and Len Uhley (writers), and of course the series creator, Jymn himself. Signing up will cost you $20.00, and you can do so by visiting Jymn Magon’s web site.
image c. 2010 Walt Disney TV Animation
The Annie Award Nominees announced
The International Animated Film Society (ASIFA) have announced the nominees for the annual Annie Awards, to be presented at UCLA (in Los Angeles) on February 5th. The Annies are a big deal these days, as they are often (but not always) a good predictor for how the voting will go at the Academy Awards later next year. Now as you may recall, there has been some controversy regarding the Annie Awards this year: Disney and Pixar have withheld their official support, citing what they feel are unfair voting practices that tilt things against them. Whether or not there’s any truth to that or not, the fact remains that Dreamworks’ How to Train Your Dragon has clearly dominated this year’s Annie nominations, with a total of 15. Megamind and Shrek Forever After were also high on the nomination list, with six and five, respectively. On the Disney/Pixar side, Toy Story 3 picked up three nominations while Tangled picked up two. In the TV Animation categories, heavily nominated items included The Kung Fu Panda Holiday Special, Scared Shrekless, Star Wars: Clone Wars, T.U.F.F. Puppy, and eternal favorite Robot Chicken. The Best Animated Video Game Category returned this year and, interestingly, this year there is a new category: Best Character Animation in a Live Action Movie. Only two nominees for the latter: Clash of the Titans and Alice in Wonderland. To see the full list of nominees and find out more about getting tickets to the show, visit the Annie Awards web site.
Movie Calendar for 2011
Thanks to Animation Magazine, we now have a more precise schedule of animated movies coming to theaters in 2011. Some of them we knew about, some of them (we’ll admit) we didn’t! So, in order: Rango (starring the voice of Johnny Depp) comes to us on March 4th, Rio (from Blue Sky) hits the air on April 8th, Kung Fu Panda 2: The Kaboom of Doom (whew!) kicks off May 27th, Cars 2 (from Pixar of course) takes off on June 24th, Winnie the Pooh (in 2D, based on never-before-adapted-stories) comes to us July 15th, Puss in Boots (the long-awaited Shrek prequel) slices up the fall on November 4th, and Happy Feet 2 (once again directed by George Miller) finishes things off on November 18th. Oh, and if you haven’t seen it: The first teaser trailer for Kung Fu Panda 2 is playing in front of Megamind, in theaters now.
Two VERY different Disney/Pixar books
The things we find amaze even us here at In-Fur-Nation sometimes. Disneystrology is a new hard-cover book by Lisa Finander, available now from Quirk Books. According to Amazon.com it “combines astrology, numerology, and the magic of movies to help readers understand their own personalities. Noted astrologer Lisa Finander has identified 366 unique Disney character types everyone from Snow White to Wall-E and paired these characters to corresponding birth dates. Readers born on November 9, for example, are typically exuberant, friendly, and youthful traits best exemplified by Pinocchio. By contrast, readers born on February 22 are often powerful, principled, and determined the perfect words to describe King Mufasa of The Lion King. Readers will also discover character profiles, compatible birthdays, tips for dealing with others, and much, much more! Illustrated with hundreds of stills from more than 90 years of classic animation, Disneystrology is an entertaining tribute to the most delightful characters in movie history.” We do not make this stuff up folks. Meanwhile there’s also The Pixar Treasures by Tim Hauser, described in a review as “a scrapbook of instinct and inspiration, experiences readers can touch, and visions that exist only in the imagination. It begins with a group of animators who were inspired by Walt Disney films. In the late 1970s and early ’80s, John Lasseter, Brad Bird, and Joe Ranft were hired into an apprenticeship program at Walt Disney Productions. The last of Disney’s golden age artists, including animators Eric Larson, Milt Kahl, Frank Thomas, and Ollie Johnston mentored the young dreamers, and as Pixar later developed, their work would draw heavily from this direct connection with Walt Disney’s “Nine Old Men.” The tale continues with Pixar’s foray into computer animation, and the resulting success of Toy Story. With chapters on A Bug’s Life; Monsters, Inc.; Finding Nemo; The Incredibles; Cars; Ratatouille; and WALL*E, Hauser’s narrative covers the struggles, growth, and successes of an incredible animation studio. And it gives readers a sneak peak at the newest Disney*Pixar film, Up. Filled with unique removable keepsakes, The Pixar Treasures is an essential collector’s item for every Pixar fan.” Latest film at the time of publication, obviously. It’s available, also in hardcover, from Disney Editions.
Disney and the Annie Awards split up!
Word is spreading like wildfire around the industry newspapers and blogs that Disney/Pixar have completely withdrawn their support from the annual Annie Awards, presented by ASIFA-Hollywood. The Annies are considered to be the Oscar Awards of the animation industry, and Disney has been a financial supporter of the awards since 1972. But now (according to reports) Disney fears that the awards process has been skewed towards Dreamworks Animation, as evidenced by the 2009 awards when Kung Fu Panda swept everything — and Wall-E was shut out entirely. Now (again, this is the word going around) Disney fears that a similar thing might happen, causing How to Train Your Dragon to beat out Toy Story 3 in one or more categories. As evidence, Disney/Pixar have pointed to the fact that Dreamworks offers a free ASIFA-Hollywood membership to its employees as part of their employment package, and previously voting on the Annie Awards was open to all members of ASIFA, regardless of where they worked in the animation industry — if at all. This story is still breaking, and it will be very interesting to see how it plays out. Interestingly, because of the way the Annie Award rules work, Disney/Pixar films can still be nominated for the awards, and win them, even if they’re not official entered by the creators.
