Animation historian Jerry Beck gives us the following on Cartoon Brew: “Animation storyman Phil Eastman (1909-1986) worked for Disney, Warner Bros., UPA, even Terrytoons during his career in the 1940s, 50s and 60s. But his biggest claim to fame has to be the series of Beginner Books he wrote and drew beginning in the late 1950s. Sam and The Firefly, Are You My Mother? A Fish Out of Water, and of course Go, Dog, Go! were certainly on my reading list at age 5. They influenced a lot of folks who later went into animation and comic art. I loved those books and still have my original battered copies. Now Sue and Tony Eastman (Phil’s son, and one of the best animators in the business himself) have put together a new website dedicated to his father’s books. Tony writes: Its purpose is to entertain/inform, and at the same time sell books. There really wasn’t a place where you could see all of his books together, plus we thought a short biography (appropriate for children) and a way to get in touch with his family would be useful. ” You can visit the P.D. Eastman website to find out more.
Disney
Restless Nights and Disney Afternoons
In his post from Friday, August 6th on jimhillmedia.com, Jim Hill interviews Jymn Magon about his upcoming series of “webinars” recalling his long career making TV series for the Walt Disney Company and others in Hollywood. If you didn’t already know, Jymn Magon is the creative mind behind such shows as The Gummi Bears, Tale Spin, and Goof Troop — as well as the writer of A Goofy Movie. He has also, if you didn’t know, been a Guest of Honor at his share of furry fandom conventions, starting with ConFurence 3 in 1992. Now he’s presenting the first of his webinars, “Restless Nights and Disney Afternoons”, on Saturday the 7th of August. In it he plans to discuss the fine art of “Creating Hit Shows”. Both this presentation and future ones will feature question-and-answer sessions as well. If you’d like to sign up for this or any future webinars, visit Jymn’s web site to find out more.
Mickey Mouse is in Control…
We’ll let you readers decide what to make of this…
The Mickey Mouse Remote
Remember folks, furries may not in fact be the weirdest fandom out there. You can find out more about this Japanese gizmo at Cartoon Brew.
Disney’s Gargoyles, the Movie… but not
Word has snuck out that the Walt Disney Company is working on a gargoyles-themed live-action movie. This is from Variety: “Zoe Green is in final negotiations with the Mouse House to pen a screenplay based on an original idea developed by Lauren Shuler Donner, who will produce the live-action film for Disney.” Unfortunately, much to the chagrin of many fans of the 1990’s animated TV series Gargoyles, the new project has nothing at all to do with that show. According to Variety, “Instead, it centers around a world and mythology of the menacing stone statues that the studio was keen to explore, sources said. Both Disney and Shuler Donner were circling separate gargoyle projects and ultimately paired up and hired Green to tackle an idea hatched with Disney exec LouAnne Brickhouse, who is shepherding the project at the studio. Shuler Donner will produce through the Donners’ Co., which she runs with husband Richard Donner.” None of which is sitting well with the many fans of the original TV series created by Greg Weisman. There’s a Facebook page dedicated to convincing Disney to re-think the whole idea. Stay tuned.
Re-Booting Winnie the Pooh
Evidently picking up on the fact that their attempts to take the world of Winnie the Pooh and make it ‘hip and happening’ (hel-loooo My Friends Tigger and Pooh) didn’t quite achieve the heights they had hoped, the Walt Disney Company is going back to the drawing board — literally — with A.A. Milne’s famous franchise. To that end, Disney has announced that a brand-new 2D feature-length animated film, titled simply Winnie the Pooh, is scheduled for release in July of 2011. And Disney is bringing out the big guns for this project: Among the animators working on the film are Mark Henn (“Princess Tiana”) for Pooh, Andreas Deja (“Scar”) for Tigger, Glen Keane (“The Beast”) for Christopher Robin, and Tony Bancroft (“Pumbaa”) for Eeyore. Burny Mattinson, who was actually an animator on the original 1960’s Winnie the Pooh shorts, will serve as the film’s lead story artist. And here’s an amusing note: The songs for the new film were written by Robert Lopez, who wrote the lyrics for Avenue Q.
Now It Can Be Told!
The 2010 Ursa Major Awards, celebrating the best in anthropomorphic art, writing, and other media were presented at FurAffinity United on Sunday, May 30th. 2 the Ranting Gryphon hosted the show and presented the awards. From the Ursa Major Awards web site: “More formally known as the Annual Anthropomorphic Literature and Arts Award, the Ursa Major Award is presented annually for excellence in the furry arts. It is intended as Anthropomorphic (a.k.a. Furry) Fandom’s equivalent of the Hugo Award ® presented by the World Science Fiction Society, mystery fandom’s Anthony Award, horror fandom’s Bram Stoker Award, and so forth.” This year more than 1,100 fans from more than a dozen countries world wide took part in nominating and voting for the Ursa Major Awards. The most yet!
And here, now, are the nominees and winners in each of 10 categories.
In the category of Best Anthropomorphic Game, the nominees were:
- Earth Eternal (created by Sparkplay Media)
- G-Force – The Video Game (Developed by Keen Studios, published by Disney Interactive)
- Predation, the Board Game (created by Quentin Long)
- Ratchet and Clank Future: A Crack in Time (Developed by Insomniac Games, published by Sony Computer Entertainment)
And the Ursa Major Award went to: Ratchet and Clank Future: A Crack in Time
In the category of Best Anthropomorphic Published Illustration, the nominees were:
- Blotch: Cover for Out of Position by Kyell Gold
- Patrick Farley: “Gaia’s Strange Seedlike Brood” from Thoughtcrime Experiment
- Jailbird: “It’s Beautiful” from “Trading Wishes” by Kevin Frane
- Kenket: Illustration for New Coyote from Anthrozine.com
- Sara Palmer: Cover for Jasmyn by Bernard Doove
And the Ursa Major Award went to: Blotch, for the Out of Position cover.
In the category of Best Anthropomorphic Magazine, the nominees were:
- Anthro
- Heat
- New Fables
- South Fur Lands
- Tales of the Tai-Pan Universe
And the Ursa Major Award went to: Heat
In the category of Best Anthropomorphic Comic Strip, the nominees were:
- Dan and Mab’s Furry Adventures by Amber M. Williams
- Doc Rat by Jenner
- Freefall by Mark Stanley
- Housepets! by Rick Griffin
- Kevin and Kell by Bill Holbrook
And the Ursa Major Award went to: Housepets!
In the category of Best Anthropomorphic Graphic Story (with continuous story arcs) the nominees were:
- Concession by Immelman
- Furthia High by QuetzaDrake
- Lackadaisy by Tracy J. Butler
- TwoKinds by Tom Fischbach
And the Ursa Major Award went to: Concession
In the Category of Best Anthropomorphic Other Literary Work, the nominees were:
- Bloom County – The Complete Collection, Volume 1, by Berke Breathed, published by Idea & Design Works
- Draw Furries: How to Create Anthropomorphic and Fantasy Animals, by Lindsay Cibos and Jared Hodges, published by Impact
- The First Book of Lapism, by Phil Geusz, published by Anthro Press
- Who Are The Furries? by Denise Winterman, from BBC News
- X, edited by Kyell Gold, published by Sofawolf Press
And the Ursa Major Award went to: Draw Furries: How to Create Anthropomorphic and Fantasy Animals
In the Category of Best Anthropomorphic Short Fiction, the nominees were:
- “Drifting”, by By Kyell Gold, from FurAffinity.net
- “Moonthief”, by Not Tube, from X by Sofawolf Press
- “Stop the World”, by Kyell Gold, from Anthrozine.com
- “Thou Shalt Not Make Wrongful Use of the Name of Thy Lord”, by Whyte Yote, from X by Sofawolf Press
- “Trading Wishes”, by Kevin Frane, from FurAffinity.net
And the Ursa Major Award went to: “Drifting”
In the category of Best Anthropomorphic Novel, the nominees were:
- Bone Crossed, by Patricia Briggs, published by Ace Books
- Cheetah’s Win, by Phil Geusz, published by Anthrozine.com
- Jazmyn, by Bernard Doove, published by CreateSpace
- Out of Position, by Kyell Gold, published by Sofawolf Press
- Return to the Hundred Acre Wood, by David Benidictus, published by Dutton Juvenile
- The Unscratchables, by Cornelius Kane, published by Scribner
And the Ursa Major Award went to: Out of Position
In the category of Best Anthropomorphic Short Subject or Series, the nominees were:
- The Cat Piano (from the People’s Republic of Animation, directed by Eddie White and Ari Gibson)
- Partly Cloudy (from Walt Disney Pictures and Pixar Animation, directed by Peter Sohn)
- The Penguins of Madagascar (produced by Dreamworks Animation for Nickelodeon)
- Prep and Landing (from Walt Disney Pictures Animation, directed by Kevin Deters and Stevie Wermers)
- The Secret Saturdays (produced by Cartoon Network)
And the Ursa Major Award went to: The Penguins of Madagascar
In the Category of Best Anthropomorphic Motion Picture, the nominees were:
- Avatar (from 20th Century Fox, directed by James Cameron)
- Fantastic Mr. Fox (from 20th Century Fox, directed by Wes Anderson)
- The Princess and the Frog (from Walt Disney Pictures Animation, directed by Ron Clements and John Musker)
- Up (from Walt Disney Pictures and Pixar Animation, directed by Pete Docter and Bob Peterson)
- Where the Wild Things Are (from Warner Brothers, Directed by Spike Jonze)
And the Ursa Major Award went to: Avatar
The staff of InFurNation.com wish to extend our congratulations to all of this year’s nominees and winners — as well as all of the fans who took the time to participate in the nominations and voting! Remember to visit the Ursa Major Awards web site to find out more about how to nominate the best in anthropomorphics from 2010 for the 2011 awards.
Boom-ing Business
Yet more stuff to watch upcoming from Boom! Studios: First off, welcome the return of the Duck Knight! Darkwing Duck returns, after many requests sent in to Boom! In this new full-color comic series is (written by Ian Brill and drawn by James Silvani) the terror that flaps in the night has been missing for more than a year… But when a nefarious evil plan threatens the city of St. Canard, it might be time to get dangerous again! Find out more in June. Also this summer, Boom! is presenting the graphic novel adaptation of Tim Burton’s oh-so-popular Alice in Wonderland film. The movie comes to DVD in August, but the graphic novel (adapted by Alessandro Ferrari and illustrated by Massimiliano Narcisco) comes this June, both in softcover and a limited-edition hardcover that includes a stitched-in cloth bookmark.
Andreas Deja’s Animal Sketchbook
Andreas Deja is a very well-known animator who has worked for Disney animation for 30 years now. He’s known for animating characters like Gaston from Beauty & the Beast and Lilo from Lilo and Stitch, but furry fans probably know him best as the lead animator of Scar in The Lion King. Now Andreas has taken his particular affinity for drawing and animating animals (which he said Lion King was his first opportunity to do as much as he likes to!) and collected together some of his best sketch work into A Different Stripe: Andreas Deja’s Animal Sketchbook (in soft-cover, from Stuart Ng Books). In it he not only discusses his methods of drawing animals (both realistic and anthropomorphic) but also the advice and guidance he received over the years from such animators and teachers as Ken Hultgren and Marc Davis.
Training Dragons
Anticipations are running high for Dreamworks Animation’s How To Train Your Dragon, which hits movie screens this Friday, March 26th. As of this writing the film has a 100% “fresh” / 0% “rotten” rating at Rotten Tomatoes.com — likely to go down as more reviews come in, of course, but still one heck of a high to be starting from. Many critics have noted the flying sequences in this 3D CGI film to be especially exciting. If you’ve not heard, the story follows the adventures of Hiccup (voiced by Jay Baruchel), a young viking in a land constantly at war with various species of fire-breathing dragon. When Hiccup’s new invention — a sort of bolo-catapult — injures a young dragon, the human is surprised to find himself befriending the beast (he names it “Toothless”). In the process, Hiccup finds out far more about dragons and his own people than he ever expected. Of course, getting humans together with unusual non-human friends is nothing new for directors Dean DeBlois and Chris Sanders: They’re the team that gave us Disney’s Lilo and Stitch.
