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Science Fiction

Follow That Crustacean

Here’s something new from Europe, published by Cinebook: Distant Worlds is a full-color science fiction graphic novel series created by a team known and Leo and Icar. “18-year-old Paul, his mother, and his sister land on Altair-4, a recently established human colony. They expect to be reunited with Paul’s father there and start a new life, but he doesn’t show up to welcome them at the spaceport… Later, they are rescued from a gang of thugs by a Stepanerk, a member of a sentient alien species. It’s an encounter that will prove invaluable to Paul when he decides to go and look for his father.” Check it out (three volumes so far) over at Comixology.

image c. 2019 Cinebook

Mysterious Planet’s Call

More interesting non-human science fiction. Retrograde Orbit is minimal-color graphic novel written and illustrated by Kristyna Baczynski. “At the outer edge of the solar system, on the mining planet Tisa, Flint and her mother live in the colony of Swift Springs. Displaced by a nuclear event, Flint’s family settled in Swift Springs two generations ago to become miners. Soon Flint will be old enough to begin her apprenticeship at the refinery. But is the home that her family has built for her enough, or will a mysterious, irradiated planet pull her away from them? By following in their footsteps and leaving to forge a new path, is she betraying her family, or honoring their legacy?” It’s available now in softcover from Avery Hill Publishing. Broken Frontier has an extensive review.

image c. 2018 Avery Hill

More Cats from Space

Another new full-color science fiction comic series, this time from Antarctic Press. It’s Stars End, created by Larry Spike Jarrell and Selena McDevitte. “6,000 years ago the Annunaki, visitors to Earth, departed with numerous animals as subjects for study and DNA experiments. Centuries in the future these evolved beasts, collectively known as N’Naki, have created vast civilizations in the Sirius system, with humans serving as their worker bees. One group of N’Naki are given a pre-graduation duty: Scan a mining world of human workers that’s fallen victim to a viral infection before the planet is demolished to stop the disease from spreading. But when a sixteen-year-old Annunaki girl turns up, the mission quickly becomes anything but routine.” If the description doesn’t make it obvious, the covers certainly do: The N’Naki are decidedly feline!

image c. 2019 Antarctic Press

Cats Leaving the Cradle in a Silver Ship

So how did this pass us by? It’s Captain Ginger, a new full-color series from Ahoy Comics. “When the human race died out, the cats inherited the Earth! Or at least one starship. Now the intrepid Captain Ginger struggles to keep his fellow felines united against a hostile universe. But there’s a rival for Ginger’s authority: His second-in-command, the savage Sergeant Mittens! Thirty-five pages of comic adventure — with a bite — created by writer Stuart Moore (Deadpool the Duck, Batman: Noir Alley) and artist June Brigman (Power Pack, Star Wars).” Also featuring extra back-up material by Animal Man creator Grant Morrison.

image c. 2019 Ahoy Comics

Junk… In… Space!

Lion Forge Comics have launched their new Caracal imprint for younger readers with Quantum Mechanics, an all-alien themed graphic novel written and illustrated by Jeff Weigel. “On a nowhere asteroid on the far rim of the galaxy, two young alien girls-Rox and Zam-spend their days tearing apart and repairing clunkers in a spaceship junkyard. These aspiring gearheads yearn for the chance to test their skills on something besides rusted old rockets and broken-down planet-hoppers. Their big chance finally comes when the captain of a mysterious ship called the Quasar Torrent enlists the kids for some repair work. But what initially looks like a golden opportunity quickly becomes a nightmare when the young friends find they’ve been kidnapped by what turns out to be a band of space pirates! Rox and Zam find themselves swept up in the astro-bucaneers’ vendetta against a huge intergalactic corporation that’s forced this motley band of working stiffs from across space into a life of crime. Now the girls must chose: Do they want the comforts of home and family, or the glamorous adventure of a lifetime-to be part of a crew of colorful misfits intent on plunder, revenge, and excitement? Their lives, friendship . . . and maybe even the fate of a galaxy . . . hangs in the balance!” Comicosity has an in-depth review.

image c. 2018 Caracal Comics

Now the Warrior is Solo

More anthro-rats in a post-apocalyptic setting. This time it’s Solo: The Survivors of Chaos, new in full-color from Statix Press (an imprint of Titan Comics). “Road warrior, meet rat warrior! The perfect fusion of Zootopia and Mad Max: Fury Road! On an Earth ravaged by nuclear war, an array of mutant animals have repopulated the land. But these survivors of chaos are far from peaceful – when Solo’s family faces starvation, the young rat wanders the cannibal wastes to become a warrior. The Statix Press debut of Oscar Martin, Warner Bros Lifetime Achievement Award-winning writer-artist of Tom & Jerry.” There are preview pages over at News-A-Rama. Plus, look for the alternate cover version by Sean Galloway (the illustrator for Pearl of Pandaria).

image c. 2018 Statix Press

Dino-Volve Again

Back in the 1980’s we had Dinosaucers, an animated TV series about warring tribes of anthro-dinosaurs who bring their battle to Planet Earth. (Not fooling anyone: The series is known these days mostly for its rather… rich dialogue writing…) Well now the original creator of Dinosaucers, Michael Uslan, has returned with a new Dinosaucers 5-issue comic book mini-series — illustrated by Andrew Pepoy and published by Lion Forge. “Reptilon has just found its sister planet-Earth-complete with water, fauna, and a billion pieces of meat. The Voyager has been peacefully traveling through space for years when, unexpectedly, it’s attacked by an alien, laser-shooting space shuttle. The attackers? Fully evolved, advanced humanoid dinosaurs who’ve destroyed their home planet and are now on the hunt to commandeer a new one to expand their empire.” Several issues are on the shelves already.

image c. 2018 Lion Forge

Trapped in a World He Never Evolved For

Richard Fairgray is a well-known comic book artist and children’s book illustrator in his native New Zealand. (Interesting fact from his Wikipedia: Richard illustrates and animates his own works, even though he is legally blind.) His best-known work, Blastosaurus, created quite a sensation in his homeland. Now living in Southern California, Richard has re-launched his comic with the help of Paul Eiding and Golden Apple Books. From Previews: “Blastosaurus, a 6-foot-tall, mutant triceratops, aided by Tabitha Jones and Richard Green (the twelve-year-old sidekicks he never asked for) battles monsters, robots, sentient meatballs and whatever other weirdness Freak Out City can throw at him. This action/fantasy all-ages book is big, stupid fun, grounded by a real emotional core and the most human dinosaur you’ll ever meet!” And look, there’s a YouTube preview as well. Blastosaurus is out in comic shops now.

image c. 2018 Golden Apple Books

626.2

The march continues — in seemingly unexpected directions! This showed up in our news feed from The Hollywood Reporter: “Stitch is back. Lilo & Stitch, the 2002 animated movie from Walt Disney Feature Animation, is getting the live-action treatment, The Hollywood Reporter has learned. The studio has hired up-and-comer Mike Van Waes to pen the script for the remake, which will be produced by Dan Lin and Jonathan Eirich of Rideback, formerly known as Lin Pictures. The two are already known in the Disney halls as they are working on the high-profile live-action remake of Aladdin. The original film was written and directed by Dean DeBlois and Chris Sanders, who later found acclaim with How to Train Your Dragon. The Hawaii-centric story told of the bond formed between a lonely human girl named Lilo and a dog-like alien named Stitch, who is engineered to be a force of destruction. Pursuing aliens, social workers and the idea of the bond of a family figure into the proceedings. [In case you forgot the basic idea — ye ed-otter] It is unclear whether the new project, which is intended to be a live-action/CG hybrid, is intended for theatrical release or for Disney’s streaming service that is set to launch in 2019.” Guess we’ll find out soon enough.

image c. 2018 Walt Disney Feature Animation